Untitled

Sarah Crowner

Untitled, 2014

Raw canvas sewn in artist frame

76.2 x 60.96 CM

IVA is included; free delivery within Mexico City’s metropolitan area
Sarah Crowner
VIEW WORK TO SCALE
CONTACT ARTEMISIA
About the Artist
CV
Public Collections
Docs + Provenance
Gallery Representation

Sarah Crowner’s bold and colourful paintings and tile works incorporate forms found in architecture, nature, and in the history of twentieth-century art and design. Her stitched paintings are created by using an industrial sewing machine to sew painted and raw irregular panels of canvas together, The stitched seams remain visible, like plant veins or arteries, reflecting her interest in systems and patterns, production and reproduction, in culture and nature. At times the seams, and forms they suggest, recall hard-edged paintings of the 1960s. Her work draws attention to the surrounding context, from the painted walls, brick patterns, concrete floor or plate glass windows.

SELECTED SOLO EXHIBITIONS

2018 - Sarah Crowner: Weeds, Casey Kaplan, New York, NY
2016 - Sarah Crowner/Tutsi Baskets,Galerie Nordenhake, Stockholm, Sweden
Plastic
Memory, Simon Lee Gallery, London, UK
Sarah Crowner: Beetle in the Leaves, MASS MoCA, North Adams, MA
2015 - Everywhere the Line is Looser, Casey Kaplan, New York, NY
2014 - Interiores, TravesiaCuatro, Guadalajara, Mexico
Motifs, Galerie Catherine Bastide, Brussels, Belgium
The Wave, Nicelle Beauchene Gallery, New York, NY
2012 - Geometric Park, SAKS Galerie, Geneva, Switzerland Rehearsal, Galerie
Nordenhake, Stockholm, Sweden
2011 - Acrobat, NicelleBeauchene Gallery, New York, NY
Ballet Plastique, Catherine Bastide, Brussels, Belgium
Zig Zags and Curves, Helena Papadopoulos, Athens, Greece
2009 - Paintings and Pots, Nicelle Beauchene Gallery, New York, NY
2008 - Handbuilt Vessels, Nice + Fit Gallery, Berlin, Germany

SELECTED GROUP EXHIBITIONS

2018 - American Academy of Arts and Letters Exhibition, American Arts and
Letters, New York, NY
Painting/Object, Flag Art Foundation, New York, NY
2017 - Für Barbara, Hall Art Foundation | SchlossDerneburg Museum, Derneburg,
Germany
MauvaisesHerbes: Sarah Crowner, Caitlin Keogh, Paulina Olowska, Simon
Lee Gallery, Hong Kong
99 Cents or Less, Museum of Contemporary Art Detroit (MOCAD), Detroit
Building 6 / Summer Season, Mass Moca, North Adams, MA
You Should Be An Artist, Catherine Bastide, Brussels, Belgium
The Centre Cannot Hold, Near East, Istanbul, Turkey
Salon Hang, Kunstverein, Amsterdam, Netherlands
2016 - We Are Not Things, INVISIBLE-EXPORTS, New York, NY
If Only Bella Abzug Were Here, Marc Straus, New York, NY
2015 - Faux Amis, Simon Lee Gallery, London, UK
Surface Tension, The Flag Art Foundation, New York, NY
Matthew Brannon’s Skirting the Issue, Casey Kaplan, New York, NY
Space Between, The Flag Art Foundation, New York, NY
Repetition and Difference, Jewish Museum, New York, NY
2014 - Sunday in the Park, organized with Sari Carel and Exile Books,
LocustProjects, Miami, FL
Conversation Piece, Museum of Fine Arts, Boston, MA
From Pre-History to Post-Evening, Sean Kelly Gallery, New York, NY
2013 - Larry Bell and Sarah Crowner Meet Marlow Moss, Kunstverein
Amsterdam, Netherlands
Painter Painter, Walker Art Center, Minneapolis, MN
Pathfinder: And to End, -1, Paris, France
Work, Klaus von NichtssagendGallery, New York, NY
DNA: Strands of Abstraction, Loretta Howard Gallery, New York, NY
Experienz #2, WIELS, Contemporary Art Centre, Brussels, Belgium
Questioning the canvas, Guekens& De Vil, Knokke, Belgium
Excursus IV: Primary Information, ICA Philadelphia, PA
Splendor Tkaniny, Zacheta National Museum of Art, Warsaw, Poland
Abstract Generation: Now in Print, Museum of Modern Art, New York, NY
Beyond the Object, Brand New Gallery, Milan, Italy
2012 - A gathering, Athens Festival, Athens, Greece
Surface in Volume, Luce Gallery, Turin, Italy
Material Occupation, University Art Museum, University at Albany, New York
2011 - WE REGRET TO INFORM YOU THERE IS CURRENTLY NO SPACE OR PLACE
FOR ABSTRACT PAINTING, Martos Gallery, New York, NY
New Shadow Old Legs, Eleven Rivington, New York, NY
Paying A Visit to Mary Part 2, Kunstverein, Amsterdam, Netherlands
2010 - Peter Saville’s ‘Accessory to an Artwork’, Glenn Horowitz Bookseller, NY
Creeds, Colors and Combinations, Nicelle Beauchene Gallery, New York, NY
Owl Stretching Time, Nordenhake, Berlin
Whitney Biennial, TheWhitney Museum of American Art, New York, NY
2009 - Looking Back: The White Columns Annual, White Columns, New York, NY
For the blind man in the dark room looking for the black cat that isn’t there,
Contemporary Art Museum St. Louis. This exhibition travelled in 2014 to
ICA, London, UK; Museum of Contemporary Art, Detroit; de Appel,
Amsterdam, Netherlands; Culturgest, Lisbon, Portugal
Cave Painting: Installment #1, Gresham’s Ghost,New York, NY
Sarah Crowner and YiannisMoralis: Conversations Part I, Nice + Fit
Gallery,Berlin, Germany
2008 - Ceramics and Other Things, DAAD Galerie, Berlin, Germany
Opportunity as Community: Artists Select Artists, Part Two; Dieu Donne, New York

Solomon R. Guggenheim Museum, New York, NY
Museum of Modern Art, New York, NY
Walker Art Museum, Minneapolis, MN
Art Museum, Minneapolis, MN

Certificate of authenticity from the artist and her gallery, Travesia Cuatro

PROVENANCE

Galeria Travesia Cuatro
Private Collection, Mexico City

Simon Lee Gallery, New York
Galerie Nordenhake, Berlin, Germany
Travesia Cuatro, Madrid, Spain & Guadalajara, Mexico

About the Artist

Sarah Crowner’s bold and colourful paintings and tile works incorporate forms found in architecture, nature, and in the history of twentieth-century art and design. Her stitched paintings are created by using an industrial sewing machine to sew painted and raw irregular panels of canvas together, The stitched seams remain visible, like plant veins or arteries, reflecting her interest in systems and patterns, production and reproduction, in culture and nature. At times the seams, and forms they suggest, recall hard-edged paintings of the 1960s. Her work draws attention to the surrounding context, from the painted walls, brick patterns, concrete floor or plate glass windows.

CV

SELECTED SOLO EXHIBITIONS

2018 - Sarah Crowner: Weeds, Casey Kaplan, New York, NY
2016 - Sarah Crowner/Tutsi Baskets,Galerie Nordenhake, Stockholm, Sweden
Plastic
Memory, Simon Lee Gallery, London, UK
Sarah Crowner: Beetle in the Leaves, MASS MoCA, North Adams, MA
2015 - Everywhere the Line is Looser, Casey Kaplan, New York, NY
2014 - Interiores, TravesiaCuatro, Guadalajara, Mexico
Motifs, Galerie Catherine Bastide, Brussels, Belgium
The Wave, Nicelle Beauchene Gallery, New York, NY
2012 - Geometric Park, SAKS Galerie, Geneva, Switzerland Rehearsal, Galerie
Nordenhake, Stockholm, Sweden
2011 - Acrobat, NicelleBeauchene Gallery, New York, NY
Ballet Plastique, Catherine Bastide, Brussels, Belgium
Zig Zags and Curves, Helena Papadopoulos, Athens, Greece
2009 - Paintings and Pots, Nicelle Beauchene Gallery, New York, NY
2008 - Handbuilt Vessels, Nice + Fit Gallery, Berlin, Germany

SELECTED GROUP EXHIBITIONS

2018 - American Academy of Arts and Letters Exhibition, American Arts and
Letters, New York, NY
Painting/Object, Flag Art Foundation, New York, NY
2017 - Für Barbara, Hall Art Foundation | SchlossDerneburg Museum, Derneburg,
Germany
MauvaisesHerbes: Sarah Crowner, Caitlin Keogh, Paulina Olowska, Simon
Lee Gallery, Hong Kong
99 Cents or Less, Museum of Contemporary Art Detroit (MOCAD), Detroit
Building 6 / Summer Season, Mass Moca, North Adams, MA
You Should Be An Artist, Catherine Bastide, Brussels, Belgium
The Centre Cannot Hold, Near East, Istanbul, Turkey
Salon Hang, Kunstverein, Amsterdam, Netherlands
2016 - We Are Not Things, INVISIBLE-EXPORTS, New York, NY
If Only Bella Abzug Were Here, Marc Straus, New York, NY
2015 - Faux Amis, Simon Lee Gallery, London, UK
Surface Tension, The Flag Art Foundation, New York, NY
Matthew Brannon’s Skirting the Issue, Casey Kaplan, New York, NY
Space Between, The Flag Art Foundation, New York, NY
Repetition and Difference, Jewish Museum, New York, NY
2014 - Sunday in the Park, organized with Sari Carel and Exile Books,
LocustProjects, Miami, FL
Conversation Piece, Museum of Fine Arts, Boston, MA
From Pre-History to Post-Evening, Sean Kelly Gallery, New York, NY
2013 - Larry Bell and Sarah Crowner Meet Marlow Moss, Kunstverein
Amsterdam, Netherlands
Painter Painter, Walker Art Center, Minneapolis, MN
Pathfinder: And to End, -1, Paris, France
Work, Klaus von NichtssagendGallery, New York, NY
DNA: Strands of Abstraction, Loretta Howard Gallery, New York, NY
Experienz #2, WIELS, Contemporary Art Centre, Brussels, Belgium
Questioning the canvas, Guekens& De Vil, Knokke, Belgium
Excursus IV: Primary Information, ICA Philadelphia, PA
Splendor Tkaniny, Zacheta National Museum of Art, Warsaw, Poland
Abstract Generation: Now in Print, Museum of Modern Art, New York, NY
Beyond the Object, Brand New Gallery, Milan, Italy
2012 - A gathering, Athens Festival, Athens, Greece
Surface in Volume, Luce Gallery, Turin, Italy
Material Occupation, University Art Museum, University at Albany, New York
2011 - WE REGRET TO INFORM YOU THERE IS CURRENTLY NO SPACE OR PLACE
FOR ABSTRACT PAINTING, Martos Gallery, New York, NY
New Shadow Old Legs, Eleven Rivington, New York, NY
Paying A Visit to Mary Part 2, Kunstverein, Amsterdam, Netherlands
2010 - Peter Saville’s ‘Accessory to an Artwork’, Glenn Horowitz Bookseller, NY
Creeds, Colors and Combinations, Nicelle Beauchene Gallery, New York, NY
Owl Stretching Time, Nordenhake, Berlin
Whitney Biennial, TheWhitney Museum of American Art, New York, NY
2009 - Looking Back: The White Columns Annual, White Columns, New York, NY
For the blind man in the dark room looking for the black cat that isn’t there,
Contemporary Art Museum St. Louis. This exhibition travelled in 2014 to
ICA, London, UK; Museum of Contemporary Art, Detroit; de Appel,
Amsterdam, Netherlands; Culturgest, Lisbon, Portugal
Cave Painting: Installment #1, Gresham’s Ghost,New York, NY
Sarah Crowner and YiannisMoralis: Conversations Part I, Nice + Fit
Gallery,Berlin, Germany
2008 - Ceramics and Other Things, DAAD Galerie, Berlin, Germany
Opportunity as Community: Artists Select Artists, Part Two; Dieu Donne, New York

Public Collections

Solomon R. Guggenheim Museum, New York, NY
Museum of Modern Art, New York, NY
Walker Art Museum, Minneapolis, MN
Art Museum, Minneapolis, MN

Docs + Provenance

Certificate of authenticity from the artist and her gallery, Travesia Cuatro

PROVENANCE

Galeria Travesia Cuatro
Private Collection, Mexico City

Gallery Representation

Simon Lee Gallery, New York
Galerie Nordenhake, Berlin, Germany
Travesia Cuatro, Madrid, Spain & Guadalajara, Mexico