Aula Magna Auditorium, Cd Universitaria Caracas, 2006-2009 1954

Alessandro Balteo Yazbeck

Aula Magna Auditorium, Cd Universitaria Caracas, 2006-2009 

C- print digital, reproduction faded, 1954 Kodachrom att to P. Gasparini

Edition 1/5 + AP

184 x 184 cm

IVA and shipping within Mexico City’s metropolitan area included
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CONTACT ARTEMISIA
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About the Artist
CV
Docs + Provenance
Public Collections
Galleries

Since the mid-nineties Alessandro Balteo-Yazbeck has developed a hybrid practice that incorporates the activities of a researcher, archivist, historian and curator. Working across various mediums, his productions formally resemble or incorporate the works of others, stressing notions of authorship and cultural authority. His entangled narratives are motivated by sociopolitical questions involving gaps in collective knowledge or misrepresentations in the public record, often focusing on the importance of propaganda as a political strategy.
This work is part of his series titled Modern Entanglements, U.S. Interventions, made between 2006-2009, where he seeks to reveal the connections between artistic production and power games. The panels in the auditorium were designed by Alexander Calder.

SOLO EXHIBITIONS

2017
Autocratic Nostalgia: Venezuelan Contemporary Landscapes. Henrique Faria Fine Art, New York, USA

2016 Electoral Autocracy–Venezuelan case, Galerie Martin Janda, Vienna, Austria

2015
Modern Entanglements. Green Art Gallery, Dubai, UAE

Diplomatic Entanglements. Rochester Art Center, Minnesota, USA

Eames-Derivative. Galeria Luisa Strina, São Paulo, Brazil

2013
Modern Entanglements. Henrique Faria Fine Art, New York, USA

Cultural Diplomacy: An Art We Neglect. Galerie Martin Janda, Vienna, Austria

2012
Chronoscope (Project room). Galerie Martin Janda, Vienna, Austria

Corrupted Files. Galeria Luisa Strina, São Paulo, Brazil

2010
Cultural Diplomacy: An Art We Neglect. Henrique Faria Fine Art, New York, USA

2009
Cultural Diplomacy: An Art We Neglect. Christopher Grimes Gallery, Santa Monica, USA

2008
A little bit of heaven (1998-2008). Carpenter Center for the Visual Arts, Harvard University, Cambridge, USA

The Museum of Architecture’s Little Store. Faría+Fábregas Galería, Caracas, Venezuela

2006
Analysis. Jersey City Museum, Rewind Project Room, Jersey City, USA

2002
Systemic Analysis. Ambrosino Gallery, Miami, USA

1997
Symbolic Surplus. Galería Euroamericana, Caracas, Venezuela

1995
Texts.10.000 Parking, Geneva, Switzerland

Certificate of Authenticity

PROVENANCE

Faria + Fábrega Galería, Caracas, Venezuela

Private Collection, Mexico City.

Tate, London, England

Harvard Art Museum, Cambridge, USA

Bronx Museum of the Arts, New York, USA
Phoenix Art Museum, Arizona, USA

El Museo del Barrio, New York, USA

Kadist Art Foundation, San Francisco, USA

Museu de Arte Moderno de São Paulo, Brazil
Colección Patricia Phelps de Cisneros, New York, USA
Cisneros Fontanals Art Foundation, Miami, USA
Die Mobiliar Collection, Zürich, Switzerland
Coleção Teixeira de Freitas, Lisbon, Portugal
Colección Charpenel, Guadalajara, Mexico
Coleção Moraes-Barbosa, São Paulo, Brazil
Colección Banco Mercantil, Caracas, Venezuela

Green. Art. Gallery, Dubai.
Henrique Faria Fine Art, New York.
Galeria Luisa Strina, Sao Paulo.

About the Artist

Since the mid-nineties Alessandro Balteo-Yazbeck has developed a hybrid practice that incorporates the activities of a researcher, archivist, historian and curator. Working across various mediums, his productions formally resemble or incorporate the works of others, stressing notions of authorship and cultural authority. His entangled narratives are motivated by sociopolitical questions involving gaps in collective knowledge or misrepresentations in the public record, often focusing on the importance of propaganda as a political strategy.
This work is part of his series titled Modern Entanglements, U.S. Interventions, made between 2006-2009, where he seeks to reveal the connections between artistic production and power games. The panels in the auditorium were designed by Alexander Calder.

CV

SOLO EXHIBITIONS

2017
Autocratic Nostalgia: Venezuelan Contemporary Landscapes. Henrique Faria Fine Art, New York, USA

2016 Electoral Autocracy–Venezuelan case, Galerie Martin Janda, Vienna, Austria

2015
Modern Entanglements. Green Art Gallery, Dubai, UAE

Diplomatic Entanglements. Rochester Art Center, Minnesota, USA

Eames-Derivative. Galeria Luisa Strina, São Paulo, Brazil

2013
Modern Entanglements. Henrique Faria Fine Art, New York, USA

Cultural Diplomacy: An Art We Neglect. Galerie Martin Janda, Vienna, Austria

2012
Chronoscope (Project room). Galerie Martin Janda, Vienna, Austria

Corrupted Files. Galeria Luisa Strina, São Paulo, Brazil

2010
Cultural Diplomacy: An Art We Neglect. Henrique Faria Fine Art, New York, USA

2009
Cultural Diplomacy: An Art We Neglect. Christopher Grimes Gallery, Santa Monica, USA

2008
A little bit of heaven (1998-2008). Carpenter Center for the Visual Arts, Harvard University, Cambridge, USA

The Museum of Architecture’s Little Store. Faría+Fábregas Galería, Caracas, Venezuela

2006
Analysis. Jersey City Museum, Rewind Project Room, Jersey City, USA

2002
Systemic Analysis. Ambrosino Gallery, Miami, USA

1997
Symbolic Surplus. Galería Euroamericana, Caracas, Venezuela

1995
Texts.10.000 Parking, Geneva, Switzerland

Docs + Provenance

Certificate of Authenticity

PROVENANCE

Faria + Fábrega Galería, Caracas, Venezuela

Private Collection, Mexico City.

Public Collections

Tate, London, England

Harvard Art Museum, Cambridge, USA

Bronx Museum of the Arts, New York, USA
Phoenix Art Museum, Arizona, USA

El Museo del Barrio, New York, USA

Kadist Art Foundation, San Francisco, USA

Museu de Arte Moderno de São Paulo, Brazil
Colección Patricia Phelps de Cisneros, New York, USA
Cisneros Fontanals Art Foundation, Miami, USA
Die Mobiliar Collection, Zürich, Switzerland
Coleção Teixeira de Freitas, Lisbon, Portugal
Colección Charpenel, Guadalajara, Mexico
Coleção Moraes-Barbosa, São Paulo, Brazil
Colección Banco Mercantil, Caracas, Venezuela

Galleries

Green. Art. Gallery, Dubai.
Henrique Faria Fine Art, New York.
Galeria Luisa Strina, Sao Paulo.